That busywork would’ve been grating on its own, but it’s intensified when the narrator repeats, over and over again, the same few lines of dialogue as you enter and exit buildings or come in and out of town. I appreciate that developer Vanillaware attempted to round out Dragon’s Crown with a meaningful story to guide its action, but at the end of the day, it just gets in the way.
This is especially pronounced early on, when you’re probably going to be most eager to get into the action. The adventure revolves around a hub town with a tavern, a guild, a shop, and more, and it spends way too much time sending us traveling between these locations – and others – to see who wants what and who has what to say. Each class provides a new experience, even though you’re facing down the same fantastically designed enemies strewn about the same lush environments while being told the same story.Īn assault from the air.Speaking of story, Dragon’s Crown’s plot is its greatest weakness, not because of the tale it attempts to weave (which I won’t spoil here), but because that tale slows everything down and reminds us of its repetitive nature. There are actual, serious implications attached to your choice, significantly compounded because you can’t switch classes without starting all over again. These are more than mere palette-swaps, and the significant differences between them (thanks to six unique skill trees) makes selecting yours about much more than who looks cool or fun.
Great character class diversity alone gives Dragon’s Crown significant depth and replay value, and not just to see the exquisite hand-drawn combat animations for each of the six characters. This is especially true when you realize that Dragon’s Crown is undeniably hardcore, even if it’s able to lull some people into thinking otherwise. Play For a game that simultaneously underlines, bolds, and italicizes its multiplayer functionality – whether locally, online, or with AI companions – this kind of accessibility for entry-level players is worthy of applause.
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